{"id":2810,"date":"2024-04-17T23:16:23","date_gmt":"2024-04-17T13:16:23","guid":{"rendered":"http:\/\/www.phenomenology.com.au\/press\/?page_id=2810"},"modified":"2025-06-19T10:48:27","modified_gmt":"2025-06-19T00:48:27","slug":"in-living-memory-in-living-memory-references","status":"publish","type":"page","link":"https:\/\/www.phenomenology.com.au\/press\/books\/books-ilm\/in-living-memory-in-living-memory-references\/","title":{"rendered":"In Living Memory References and Further Reading"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"2810\" class=\"elementor elementor-2810\" data-elementor-post-type=\"page\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-51f314f1 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"51f314f1\" data-element_type=\"section\" data-e-type=\"section\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t\t\t<div class=\"elementor-background-overlay\"><\/div>\n\t\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-24cb251c\" data-id=\"24cb251c\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-871ac18 elementor-widget elementor-widget-woocommerce-breadcrumb\" data-id=\"871ac18\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"woocommerce-breadcrumb.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<nav class=\"woocommerce-breadcrumb\" aria-label=\"Breadcrumb\">Home<\/nav>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-fa04cf5 elementor-widget elementor-widget-heading\" data-id=\"fa04cf5\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">In Living Memory References and Further Reading<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-f462881 elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"f462881\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-895bd01 elementor-widget elementor-widget-text-editor\" data-id=\"895bd01\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h3><strong>Philosophy References<\/strong><\/h3><p><em>In Living Memory<\/em> is a philosophical novel because it centres on a collection of certain ideas, and asks the reader to consider questions which for many of us might remain unasked:<\/p><ul><li>How much of our sense of self is determined by our memory?<\/li><li>If we have to remember who we love, do we really love them?<\/li><li>If we have to remember what we believe, is it really our belief?<\/li><li>If we have to remember what we\u2019ve said before, is anything we say what we really think?<\/li><li>If our interaction with the universe around us is continually mediated by the past, how and why should we think of ourselves as authentic beings?<\/li><li>As our sense of self evolves, how do we reconcile our identity with the different selves we used to be?<\/li><li>Should we think of the experience of forgetting as necessarily destructive, or should we regard it as liberating?<\/li><li>As death comes for each of us, how do we stay true to the self we have worked our whole life to become?<\/li><\/ul>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-d6ae6a0 elementor-widget elementor-widget-text-editor\" data-id=\"d6ae6a0\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>Throughout its narrative,\u00a0<em>In Living Memory<\/em> references several touchpoints of its philosophical heritage, including glimpses of the four original works around which the novel\u2019s themes are primarily drawn:<\/p><ul><li><u>Friedrich Nietzsche\u2019s\u00a0<em>Thus Spoke Zarathustra<\/em><\/u>\u00a0\u2013 A deeply lyrical, yet comprehensive work which examines the trajectory of human values and individuality as the conflicts of nineteenth century Europe dragged on and on. Arguably Nietzsche\u2019s most influential and accessible creation, this book outlined his moral vision for the survival of humanity.<\/li><li><span style=\"text-decoration: underline;\">Frankl, Viktor E. Man\u2019s Search For Meaning (Ilse Lasch translation).<\/span> London: Rider, an imprint of Ebury Publishing, 2008.<\/li><li>Gabriella Barton&#8217;s MPhil Thesis &#8220;The Philosophical Heritage of Nietzsche&#8217;s Three Metamorphoses of Spirit&#8221;, Cambridge University, 1984.<\/li><li><u>Brian Birchall\u2019s\u00a0<em>The Importance of Being Obscure<\/em><\/u>\u00a0\u2013 Brian Birchall\u2019s life work was to give voice to a philosophy of Objective Idealism, by which realism and idealism could co-exist and flourish in the becoming of meaning. This unconventional, non-referential text offers a path to such a destination for the dedicated seeker willing to undertake the Labour of the Concept.<\/li><\/ul>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-4390b99 elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"4390b99\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-60d6fa7 elementor-widget elementor-widget-heading\" data-id=\"60d6fa7\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h3 class=\"elementor-heading-title elementor-size-default\">Art and Music References<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-e824df2 elementor-widget elementor-widget-text-editor\" data-id=\"e824df2\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><em>In Living Memory<\/em> has been sprinkled through with references to many familiar and some not so familiar works of art.\u00a0 Most are there to ground the narrative in a particular time and space, or to evoke an atmosphere or mood, or to provide some further depth to other characters. The musical references have been compiled into the <em>In Living Memory<\/em> Spotify playlist <a href=\"https:\/\/www.phenomenology.com.au\/press\/shop-subscriber\/\">here<\/a>.<\/p><p>The following list of references from the book provide a starting point for anyone who might want to investigate these works in any more detail:<\/p><ul><li><u>Eumir Deodato&#8217;s &#8220;Also Sprach Zarathustra&#8221; <\/u>(from the 1973 album <em>Prelude).<\/em><\/li><li><span style=\"text-decoration: underline;\">Pink Floyd&#8217;s &#8220;The Great Gig in the Sky&#8221;<\/span> (from the 1973 album <em>The Dark Side of the Moon)<\/em>.<\/li><li><span style=\"text-decoration: underline;\">Leonard Cohen&#8217;s \u201cAnthem\u201d and &#8220;Tacoma Trailer&#8221;<\/span> (from the 1992 album <em>The Future<\/em>).<\/li><li><span style=\"text-decoration: underline;\">Sylvia Plath&#8217;s &#8220;The Other Two&#8221; and \u201cParliament Hill Fields\u201d<\/span>.<\/li><li><span style=\"text-decoration: underline;\">Kenneth Slessor&#8217;s \u201cFive Bells\u201d, &#8220;Out of Time&#8221;, &#8220;Sensuality&#8221; and &#8220;Trade Circular&#8221;<\/span> from <em>Kenneth Slessor, Selected Poems.<\/em><\/li><\/ul>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<section class=\"elementor-section elementor-inner-section elementor-element elementor-element-e0153ee elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"e0153ee\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-inner-column elementor-element elementor-element-1dd4952\" data-id=\"1dd4952\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-cdd4885 elementor-widget elementor-widget-image\" data-id=\"cdd4885\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/www.phenomenology.com.au\/press\/wp-content\/uploads\/2025\/04\/Street-Kiss-Final.jpg\" title=\"Street Kiss Final\" alt=\"Street Kiss Final\" loading=\"lazy\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-inner-column elementor-element elementor-element-77e6431\" data-id=\"77e6431\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-cd39570 elementor-widget elementor-widget-text-editor\" data-id=\"cd39570\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><span style=\"text-decoration: underline;\">Amelia Anderson&#8217;s <em>Street Kiss,<\/em> (1957).<\/span> <em>Street Kiss <\/em>was only exhibited once, in Sydney in 1959. It was then believed to have been destroyed in a warehouse fire in the early sixties, but emerged in the Melbourne collection of Mrs Catherine Strong in 2012. The work had been gifted to Mrs Strong in 1981 by the artist&#8217;s daughter.<\/p><p>The painting is widely regarded as the artist&#8217;s finest work, the one which exemplified her style and technique like no other. It becomes an important clue in Mark and Cate&#8217;s search for answers, and its composition is a recurring motif in the story.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-inner-section elementor-element elementor-element-ed3915d elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"ed3915d\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-inner-column elementor-element elementor-element-5ac4236\" data-id=\"5ac4236\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-28c8ebd elementor-widget elementor-widget-text-editor\" data-id=\"28c8ebd\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<ul><li><span style=\"text-decoration: underline;\">Carl Orff\u2019s <em>O Fortuna<\/em><\/span>, the first movement from\u00a0 <em>Carmina Burana, Fortuna Imperatrix Mundi<\/em>.<\/li><li><span style=\"text-decoration: underline;\">T.S. Eliot&#8217;s \u201cThe Dry Salvages\u201d and &#8220;Ash Wednesday&#8221;<\/span>.<\/li><li><span style=\"text-decoration: underline;\">William Blake&#8217;s \u201cThe Monk\u201d, John Donne&#8217;s \u201cHoly Sonnet\u201d,\u00a0 Henry Vaughan&#8217;s &#8220;The Retreat&#8221;,\u00a0and William Butler Yeats&#8217; \u201cUnder Ben Bulben\u201d<\/span> from <em>The London Book of English Verse.<\/em> This anthology of English verse was a post-war collection curated to reflect a more modern take on the English canon, deliberately departing from previous anthologies by expanding focus beyond the lyrical, and rejecting anything deemed overly romantic, or sentimental. This book was an influential resource in Australian high school English Literature subjects for far too long.<\/li><li><span style=\"text-decoration: underline;\">Robert Heinlein&#8217;s <em>Time Enough for Love<\/em><\/span>.\u00a0<\/li><li><span style=\"text-decoration: underline;\">Sigur R\u00f3s&#8217; 1999 album <em>\u00c1g\u00e6tis byrjun<\/em><\/span>.<\/li><li><span style=\"text-decoration: underline;\">Fyodor Dostoevsky&#8217;s <\/span><em><span style=\"text-decoration: underline;\">The Brothers Karamazov<\/span>.\u00a0<\/em><\/li><li><span style=\"text-decoration: underline;\">Grizzly Bear&#8217;s &#8220;A Good Place\u201d<\/span> (from the\u00a0 2004 album <em>Horn of Plenty<\/em>).<\/li><li><span style=\"text-decoration: underline;\">Monty Python&#8217;s<em> Monty Python and the Search for the Holy Grail<\/em>, (1975)<\/span>.<\/li><li><span style=\"text-decoration: underline;\">Tim Rice&#8217;s &#8220;G<span style=\"font-size: 16px; font-style: normal; font-weight: 400;\">ethsemane&#8221;<\/span><\/span> (from the 1970 album <em>Jesus Christ Superstar<\/em>).<\/li><li><span style=\"text-decoration: underline;\">Eminem&#8217;s <em>Lose Yourself<\/em><\/span> (from the 2002 <em>8 Mile<\/em> soundtrack).<\/li><li><span style=\"text-decoration: underline;\">Muriel Rukeyser&#8217;s <em>The Life of Poetry<\/em><\/span>.<\/li><li><span style=\"text-decoration: underline;\">Beach House&#8217;s \u201cNorway\u201d<\/span> (from the 2010 album <em>Teen Dream<\/em>).<\/li><li><span style=\"text-decoration: underline;\">Miroslav Holub&#8217;s \u201cWaiting\u201d, William Wordsworth&#8217;s \u201cSurprised by Joy\u201d, and Harold Hart Crane&#8217;s \u201cForgetfulness\u201d<\/span> from <em>Mainly Modern<\/em>.<\/li><li><span style=\"text-decoration: underline;\">Flume&#8217;s \u201cStar Eyes\u201d<\/span> (from the 2012 album <em>Flume<\/em>).<\/li><li><span style=\"text-decoration: underline;\">Nathanael West&#8217;s \u201cA Cool Million\u201d<\/span>, from <em>The Collected Works of Nathanael West<\/em>.\u00a0<\/li><li><span style=\"text-decoration: underline;\">Moby&#8217;s \u201cIf Things Were Perfect\u201d<\/span> (from the 1999 album <em>Play<\/em>).<\/li><li><span style=\"text-decoration: underline;\">Steve Reich&#8217;s 1983 album <em>The Desert Music<\/em><\/span>, for amplified voices and orchestra.<\/li><li><span style=\"text-decoration: underline;\">Walter Carlos Williams&#8217; <em>The Desert Music and Other Poems<\/em><\/span>.<\/li><li><span style=\"text-decoration: underline;\">Cocteau Twins&#8217;<em> \u201c<\/em>Rilkean Heart<em>\u201d<\/em><\/span><span style=\"font-size: 16px;\"> (from the 1996 album <\/span><em style=\"font-size: 16px;\">Milk &amp; Kisses<\/em><span style=\"font-size: 16px;\">). <\/span><em style=\"font-size: 16px;\">Rilkean Heart<\/em><span style=\"font-size: 16px;\"> was a tribute of fondness to the American musician Jeff Buckley who died the following year.<\/span><\/li><li><span style=\"text-decoration: underline;\">John Martyn&#8217;s \u201cSmall Hours (Instrumental)\u201d<\/span> (from the 1977 album <em>One World (Deluxe Edition))<\/em>.<\/li><li><span style=\"text-decoration: underline;\">Dead Can Dance&#8217;s \u201cHymn for the Fallen\u201d<\/span> (from the 2005 live album <em>2005-03-26: Philharmonie, Cologne, Germany<\/em>).<\/li><li><span style=\"text-decoration: underline;\">Karen Marks&#8217; 1981 single \u201cCold Caf\u00e9\u201d<\/span>.<\/li><li><span style=\"text-decoration: underline;\">Dirty Three&#8217;s \u201cIndian Love Song\u201d<\/span> (from the 1995 album <em>Dirty Three<\/em>).<\/li><li><span style=\"text-decoration: underline;\">Wolfgang Amadeus Mozart&#8217;s 1788 opera<em> Don Giovanni<\/em><\/span>.<\/li><li><span style=\"text-decoration: underline;\">Gavin Bryars&#8217; \u201c(\u2018Farewell\u2019) A Tempo\u201d<\/span> (from the 1996 album<em> Farewell to Philosophy<\/em>).<\/li><li><span style=\"text-decoration: underline;\">The Beatles&#8217; \u201cEleanor Rigby\u201d<\/span> (from the 1966 album <em>Revolver<\/em>).<\/li><li><span style=\"text-decoration: underline;\">John Tavener&#8217;s \u201cThe Lamb\u201d<\/span> (from the 1982 album <em>The Lamb<\/em>)2.<\/li><li><span style=\"text-decoration: underline;\">Tangerine Dream&#8217;s 1974 album <em>Phaedra<\/em><\/span>.<\/li><li><span style=\"text-decoration: underline;\">Pink Floyd&#8217;s \u201cComfortably Numb\u201d<\/span> (from the 1980 album <em>The Wall<\/em>).<\/li><\/ul>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<div class=\"elementor-element elementor-element-b6baaa8 elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"b6baaa8\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>In Living Memory References and Further Reading Philosophy References In Living Memory is a philosophical novel because it centres on a collection of certain ideas, and asks the reader to [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":0,"parent":2397,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","theme-transparent-header-meta":"enabled","adv-header-id-meta":"","stick-header-meta":"default","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center 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